Renaissance young girl portrait
The wall sets her in a realistic interior, perhaps intended to represent a space within her home.
In the inventory of the Gallery, the subject of the painting was identified as Saint Catherine of Alexandria and attributed to Perugino.
In this way, Waagen also identified Christus' so-called Saint Eligius panel, now in the Metropolitan Museum of ArtNew York and seen as just a portrait of a goldsmithmarking the painter's rediscovery after centuries of obscurity.
He compared the hennin worn by Maria Portinari in a c.
Similarities can be seen in the sculpted features and expression of the model.
Their parents married between andsuggesting that the sitter was under 20 at the time of the portrait.
But several other hypotheses have been advanced and they will probably continue to run for a long time to come.
In fact his true calling was not religious painting but portraiture, and among his works, one picture stands out, and has propelled his name to the forefront of Northern Renaissance art:
Analysis of Portrait of a Young Girl An important Renaissance young girl portrait lesser-known exponent of Flemish painting of the third quarter of the 15th century, Petrus Christus was the leading painter in Bruges, after the death of Jan van Eyckwhose pupil he was and whom he greatly admired.
Catherine of Alexandria with wheel and palm frond.
The painting was originally oil on panel, and was transferred to canvas during conservation work in
Joanna Woods-Marsden remarks that a sitter acknowledging her audience in this way was virtually unprecedented even in Italian portrait painting.